By Arnhilt Johanna Hoefle
During his lifetime Austrian novelist Stefan Zweig (1881–1942) was once one of the most generally learn German-language writers on the earth. constantly arguable, he fell into severe disfavor as writers and critics in a devastated postwar Europe attacked the negative literary caliber of his works and excoriated his apolitical fiction as naïve Habsburg nostalgia. but in different components of the realm, Zweig’s works have loved persisted admiration and recognition, even canonical status.
China’s Stefan Zweig unveils the intense luck of Zweig’s novellas in China, the place he has been learn in a wholly various method. through the New tradition circulation of the Twenties, Zweig’s novellas have been stumbled on by means of intellectuals turning opposed to Confucian culture. within the Thirties, left-wing students criticized Zweig as a decadent bourgeois author, but after the communist victory in 1949 he used to be re-introduced as a political author whose distinct mental descriptions uncovered a brutal and hypocritical bourgeois capitalist society. within the Eighties, after the Cultural Revolution, Zweig’s works brought on a large-scale “Stefan Zweig fever,” the place Zweig-style girl figures, the light, loving, and self-sacrificing girls who populate his novels, grew to become the female perfect. Zweig’s possible anachronistic poetics of femininity allowed feminists to criticize Maoist gender politics through praising Zweig as “the anatomist of the feminine heart.” As Arnhilt Hoefle makes transparent, Zweig’s works have by no means been passively bought. Intermediaries have actively chosen, interpreted, and translated his works for terribly diversified purposes.
China’s Stefan Zweig not purely re-conceptualizes our knowing of cross-cultural reception and its underlying dynamics, yet proposes a major re-assessment of 1 of the main winning but misunderstood ecu writers of the 20th century. Zweig’s works, that have encouraged fresh movie diversifications comparable to Xu Jinglei’s Letter from an Unknown Woman (2005) and Wes Anderson’s Grand Budapest Hotel (2014), are just starting to be rediscovered in Europe and North the United States, however the heated debate approximately his literary advantage keeps. This ebook, with its wealth of hitherto unexplored Chinese-language resources, sheds gentle at the Stefan Zweig conundrum throughout the lens of his chinese language reception to bare astounding, and lengthy missed, literary dimensions of his works.
Read or Download China’s Stefan Zweig: The Dynamics of Cross-Cultural Reception (Critical Interventions) PDF
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In the course of his lifetime Austrian novelist Stefan Zweig (1881–1942) was once one of the most generally learn German-language writers on this planet. continually debatable, he fell into severe disfavor as writers and critics in a devastated postwar Europe attacked the negative literary caliber of his works and excoriated his apolitical fiction as naïve Habsburg nostalgia.
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Extra resources for China’s Stefan Zweig: The Dynamics of Cross-Cultural Reception (Critical Interventions)
China’s Stefan Zweig: The Dynamics of Cross-Cultural Reception (Critical Interventions) by Arnhilt Johanna Hoefle
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